1. How do I select the best photographer
for my project?
2. How can I get the most out of my location photography
project?
3. How do commercial photographers charge?
4. What other costs are involved
besides the actual photography time?
5. To get an idea of budget, what
should I ask for?
6. How can I ensure the best value
for my budget?
7. Who owns the copyright
to my project’s photographs?
1. How do I select the best photographer
for my project? Most commercial photographers
have areas of specialisation, so make sure that whomever
you use has the experience,
skill and equipment for the particular task at hand.
A professional will tell you if they are not the right
person for your assignment.
Factors to consider in your
decision should be:
- Creative talent – judged from
their portfolio;
- Experience – judged from their
C.V., client base and portfolio;
- Professionalism – judged
from their presentation and approach as well as from
their client base and references;
- Compatibility – could
you work comfortably with this person?
- Appropriate equipment – ask
them to explain to you what is specifically best for
your project’s needs and why;
- Enthusiasm – for
their work and for your project!
2. How can I get the most out of
my location photography project?
Be clear about
your objectives: the very first thing is to discuss what
you are trying to achieve – what
do you want the photograph to communicate, what are these
pictures for? Good photographers are good communicators,
so involve them early, make them a part of your team.
Meet
on site: if possible, organise a site visit at the proposed
location prior to the work. Ask for suggestions
and ideas – it’s highly likely that someone
with experience has confronted something like your project
before.
Allow enough time: careful planning and
sufficient pre-production time is critical to a good outcome
for all
concerned – good
photographers are interested in quality and effective imagery
just as much as you are. If you are uncertain about your
needs, ask questions.
Communicate with all your team: it’s
always important to put your photographer in touch with
any graphic designers
or other creative people involved with the project – after
all, they will have to use the pictures. If the photographer
envisages a really nice horizontal panorama and the designer
is imagining a vertical shot – they need to talk
to each other!
Remember that the quality of your photographs
is a reflection of your image as well.
3. How do commercial photographers
charge?
Most people understand the importance
of accurately defining the scope of any type of work
in order to come up with
a realistic fee, so it will come as no surprise that
as much detail as possible about an assignment is needed
before an estimate can be given, including information
about image requirements, usage, deadlines, site logistics
and other specifics.
Commercial photography is priced
according to the nature of the work and the client's
usage requirements. Factors
that affect the fee include the anticipated use of the
images, the photographer's creative talent and experience,
production time, equipment, facilities, and staff. The
creative fee also must cover services in addition to
the photography itself, such as pre- and post-production
time.
4. What other costs are involved besides the actual
photography time?
These will vary with each project
but may include:
- time with pre-production, site inspections
or liaising with people on site for specific access;
- post-production
costs of film, processing, editing, and scanning;
- post-production
costs with handling and editing and converting high
resolution digital files;
- assistant’s fees and
travel expenses;
- rental fees for special equipment;
- stylist’s
and make up artist’s charges;
- location access
fees, talent fees, special insurance costs;
- a photograph
may require post production retouching.
5. To get an idea of budget,
what should I ask for?
Make sure you are clear
what you are asking for - a fixed quotation or an estimate.
Estimates are usually given
in a non-competitive situation and may be flexible depending
on the nature of the project. However a quotation will
have a bottom line that includes all the factors needed
to create the images you need for
the purpose you have outlined.
Some photographers in the
industry work on a ‘day
rate’. Comparing day rates within other photographers’ quotations
can be misleading, as there are lots of other factors that
go into getting the right picture created, which the day
rates may not include.
6. How can I ensure the best value
for my budget?
Don’t just compare prices:
compare the style and the professional way in which the
work will be undertaken.
With professional photography you get what you pay for.
The value of the photographs to the client is a big factor
in determining the fee. Don’t cut corners on quality:
rather, discuss with the photographer other ways to get
the pictures you want.
There will always be someone willing
to photograph your project for less, but look for value,
not price. Professional
expertise and experience will save you money in the long
run.
7. Who owns the copyright to my project’s
photographs?
Under Australian copyright law, as
creator of the images the photographer own the copyright
in any images they make
and the usual practice is to license the use of the pictures
to you as the client by agreement. So naturally, the more
extensive the usage, the greater the fee.
As copyright
owner the photographer has the right to control copying,
reproduction, distribution and display of the photographs.
In exactly the same way that a
musician is able to control the copying of their music, and, just like a
CD recording of music, possession of photographic material,
such as slides, prints,
transparencies or digital files, does not grant the right to reproduce the
images. If you plan to give the photographs to others who were not involved
in the assignment, or if you have received photographs without written permission
for their use, remember only the photographer can license rights.
Copyright
and the right to use the pictures cannot be transferred
without consent of the copyright owner. Agreements should
be in writing, and, to
protect everyone's
interests and prevent misunderstandings, agreements should be signed by
both parties.
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